Images: Team17ĭespite how campy they can be, each victim call is incredibly tense. The complexity of these puzzles steadily ramps up in a very satisfying manner, and in the back half of the game I found myself actually taking down notes on my phone as callers were talking. You’re free to attempt to just wing it too, but failure to successfully navigate a caller out of their situation will invariably result in their grisly murder. Eventually, you’ll find a magazine with a spread on ways to hotwire a car and attempt to guide the caller through the multi-step process. Peggy slides you the key to the staff offices at the station, and suggests you search the desk of the host of the station’s weekly motor enthusiast show.
She never bothers locking her ride, living in a snoozy town such as this, but she has seemed to have dropped her keys while running for her life. In one early example, a woman calls you from her car phone. As Forrest is new in town, Peggy acts as your guide to the town, its people, and the station building itself as she dispenses keys that unlock new areas as the night progresses. Each will lead you to explore the empty radio station building, looking for information that can help with the situation at hand.
The gameplay loop is largely built upon a series of intense phone calls from people attempting to flee or catch the killer.
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